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THE ROLE OF GRIM CULTURE IN THE THEATER

Authors

Gulmari Smaylova

Rubric:Theater
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Annotation

In the article, the appearance an/d type of makeup should be chosen based on the characteristics of the play, the thoughts and concepts of the actor, the director's conception, and the style of decoration of the play, by learning external appearance of the hero will help to study the inner appearance and open content.

The purpose of the research: In this article, the art of grime and its important role in the theater scene, its importance, other and specific history of grime, is the main tool for revealing the character of the characters and the historical environment in all stage works, especially in historical plays. information is provided.

Research methods: Unique processes in the art of grime, methods of working with grime, learning, activities of a makeup artist.

Research results: Unique processes in grime art, methods of working with grime, training, activities of a makeup artist.

Practical application: To develop the art of make-up in our republic, to introduce students to the work of make-up artists in theaters, to interest the younger generation in art.

Keywords

color
stage
theater
make-up
decoration
painter
wig
maker-up.

Authors

Gulmari Smaylova

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References:

1. G.Tyugay. “Vesti Karakalpakstana”. 1993,Thursday, N77 (15 779) number, 2-page, “Vsya jizn -v teatre”.

2.G.Tyugay. “Vesti Karakalpakstana” . 1993, Thursday, N77 (15 779) number, 3-page “Vsya jizn-v teatre”.

3. R.D.Ragul. «Grim isskustvo». 1947

4.  F.Jalilova. Grim. Toshkent. 2008 .

5. M.Ismoilov. Sahna pardozi. Toshkent. 2004

6. A. Qodiriy. Mehrobdan chayon. -Toshkent, 1959 .

7. Бейган Ли. Грим: для театра, кино и телевидения: - Москва, 1997.

8. Сыромятникова И.С. Искусство грима и – Москва: 2008. –

9 Печкурова Л. С. Грим. Практикум: учебник и практикум для вузов / Л. С. Печкурова. –2-е изд. – Москва: 2022

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