ABOUT 24 SHU'BA IN TREATISES OF XV-XVI CENTURIES
Authors
Amonov Dilshod Abduraxmonovich
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Annotation
This article reveals the origins of the famous 12 maqams and 24 shu'beh in the treatises of: unknown author "Siratu asrori il-ilahiya", Kawkabiy, Husayni and Jami. The theoretical views of these authors are compared.
Purpose: In addition to studying the science of music that developed in the fifteenth and sixteenth centuries through the example of the treatise "Siratu asrori il-ilohiya", it consists in identifying the theoretical works that contributed to the development of the art of music.
Method:Such methods of research and analysis as classification, comparative-historical method were used to cover the topic.
Result: By comparing the scientific heritage of medieval scholars, a number of theoretical views of Eastern musicology are clarified;
Scientific novelty:The manuscript "Siratu asrori il-ilohiyya" and the treatises of Qawkabi, Jami and Husayni were compared for the first time.
Keywords
Authors
Amonov Dilshod Abduraxmonovich
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References:
- Джумаев А. К проблеме эволюциии и эстетически х учений о макамате//Вопросы эстетики, истории и теории монодии. Ташкент,1987. Б, 16-24.
2. Author unknown, No. 8739/III: The title of the treatise is also unknown. Manuscript, F.A. Abu Rayhan Beruni Institute of Oriental Studies No. 8739/III, P. 105-111
3. Dilbar Rashidova DERVISH ALI CHANGIY AND HIS TREACTATE ON MUSIC. Т., 1981. P. 102
4. A.A. Semenov's translation of "Central Asian treatise on music by Dervish Ali" (XVIII) T., 1946.P 10.
5. Zainulabidin ibn Muhammad bin Mahmud ul-Husseini "Musical Canon" From Taidikian translated and annotated by A.A. Semenov. P. 57
6. A. Fitrat "Uzbek classic musiqasi va uning tarihi" T., 1993 P. 41
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