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Patterns, inscriptions, and economic dimensions in Medieval Azerbaijani miniature illustrated ceramics: harmony, symbols, and trade

Authors

Sadagat Mammadli

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Annotation

This article examines the patterns and inscriptions found on medieval Azerbaijani miniature illustrated ceramics, emphasizing their symbolic meanings, stylistic harmony, and cultural significance. The study is mainly devoted to several artifacts preserved in the Azerbaijan National Museum of Art, representing the Tabriz ceramic school and the artistic synthesis of calligraphy, miniature painting, and ornamental design in the Safavid and pre-Safavid periods.

Keywords

Tabriz school of art
Islamic calligraphy
Safavid artistic heritage
Miniature illustration.
Medieval Azerbaijani ceramics
Azerbaijan National Museum of Art

Authors

Sadagat Mammadli

References:

  1. Aslanapa, Oktay. Turkish Art. Istanbul: Remzi Kitabevi, 1997.
  2. Azerbaijan National Museum of Art. Inventory Records: Ç-121, Ç-122, Ç-123, Ç-146, Ç-156, Ç-213. Baku.
  3. Blair, Sheila S., and Jonathan M. Bloom. The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press, 1994.
  4. Efendi, Rasim. Azerbaijani Decorative and Applied Arts. Baku: Ishiq Publishing House, 1976.
  5. Efendi, Rasim. Azerbaijani Art. Baku: Sharq-Garb Publishing House, 2007.
  6. Firdowsi. Shahnameh (The Book of Kings). Classical Persian epic poem, 10th century.
  7. Grube, Ernst J. Islamic Pottery of the Eighth to the Fifteenth Century in the Keir Collection. London: Faber and Faber, 1976.
  8. Habibov, Nazim. Medieval Azerbaijani Ceramic Art. Baku: Elm Publishing House, 1981.
  9. Karimov, Karim. Azerbaijani Miniature Art. Baku: Elm Publishing House, 1987.
  10. Nasiri, N. “Islamic Calligraphy and Symbolism in Safavid Ceramics.” Tehran Art Journal, 2012.
  11. Watson, Oliver. Ceramics from Islamic Lands. London: Thames & Hudson, 2004.

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