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THE HISTORICAL ROOTS AND FUNDAMENTAL CHARACTERISTICS OF GOTHIC LITERATURE

Authors

Abdusattarova Shokhina Bakhtiyor kizi

Rubric:Philology
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Annotation

This study explores the origins and key features of Gothic literature from its 18th-century beginnings to its modern forms. Using interdisciplinary approaches like literary analysis, cultural history, and critical theory, this research examines the social and political contexts that gave rise to Gothic fiction, its unique literary techniques and themes, and how its conventions have changed over time and across different regions. The study shows that Gothic literature developed as an elaborate cultural response to Enlightenment rationalism, employing specific narrative methods including the sublime, the uncanny, and the distinctions between terror and horror to investigate transgressive themes such as confinement, decay, and forbidden knowledge. Analysis of major works by Walpole, Radcliffe, Lewis, Shelley, and Stoker demonstrates how the genre shifted from medieval supernatural settings to urban psychological horror, mirroring evolving cultural fears. Modern scholarship highlights Gothic literature’s lasting impact on contemporary horror, fantasy, and postcolonial literature, confirming its role as a crucial way to express societal anxieties throughout history. The findings suggest that Gothic literature is not just entertainment but a cultural gauge that continually reflects dominant fears while staying true to its core aesthetic and thematic principles.

Keywords

Gothic literature
eighteenth-century fiction
sublime
uncanny
Ann Radcliffe
Matthew Lewis
Mary Shelley
Bram Stoker
literary terror
cultural history
British Romanticism
Victorian Gothic

Authors

Abdusattarova Shokhina Bakhtiyor kizi

References:

David Punter. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day London, Longman, 1980. 449.

D.Punter. The Literature of Terror.1980. 38.

James Raven.The Publication of Fiction in Britain 1750-1770. in Novel: A Forum on Fiction 32, no. 2 Spring 1999.247.

Dorothy Blakey. The Minerva Press, 1790-1820.Oxford University Press, 1939. 45.

Cheryl Turner. Living by the Pen: Women Writers in the Eighteenth Century. London, Routledge, 1992. 107.

Ellen Ledoux. Was there ever a ‘Female Gothic’?. Humanities and Social Sciences Communications 3.17042 2017, DOI: 10.1057/palcomms 2017.42.

Edmund Burke. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. London.39.

David Morris. The Religious Sublime: Christian Poetry and Critical Tradition in 18th-Century England Lexington, University Press of Kentucky, 1972. 89-90.

Ann Radcliffe. On the Supernatural in Poetry.The New Monthly Magazine 16, no. 1,1826.149.

Michael Lewis. The Gothic Revival. London, Thames & Hudson, 2002. 78-79.

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Franco Moretti. Graphs, Maps, Trees: Abstract Models for Literary History. London, Verso, 2005.69

Kate Ferguson Ellis. The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology Urbana, University of Illinois Press, 1989. 169.

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