THE COLLABORATION OF THE CONDUCTOR AND THE DIRECTOR IN THE MODERN UZBEK OPERA
Authors
Azimov Kamoliddin Xayritdinovich
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Abstract Object: cooperation between conductor and director, practice and theory in modern Uzbek opera. Methods: scientific and practical, comparative analysis, interviews. Results: features of the conductor-director cooperation on the example of the opera ”Kumush". Approaches to the tasks of an opera conductor and their application in practice, etc. Scientific novelty: new stages of conducting and directing cooperation in modern Uzbek opera are investigated. Practical significance: this article serves as a methodological resource on creative processes in the theater, as well as the practice of young researchers, conductors and directors.
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Authors
Azimov Kamoliddin Xayritdinovich
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References:
References
Pokrovsky, B. (1985). The Creation of an opera performance. Moscow: Children's Literature.
Safarov, F. (2003). That's how he was remembered. // Suleiman Yudakov in the memoirs of his contemporaries. Strokes of creative biography. – Tashkent., 144-145 p.
From a conversation with B.Khudaykulov. June 12, 2023.
Pazovsky, A. (1968) Notes of the conductor. Moscow. 475 p.
From a conversation with A.Slonim. June 12, 2023.
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