Academic publishing in Europe and N. America

Archive Publication ethics Submission Payment Contacts
In the original languageTranslation into English

THE MEANS AND STYLE OF CREATING AN IMAGE ON THE STAGE OF PUPPET THEATER

Authors

Umarkhodjaeva Mamura Karimbaevna

Rubric:Theater
380
0
Download articleQuote
380
0

Annotation

This article tells about the role of the actor in the puppet theater, its features, styles and instruments in the process of creating an image. The author describes the every stage of creating a new play on the stage.

        Purpose: raising a spiritually healthy generation as children with a pure heart, fresh spirit, kindness based on national values, samples of world culture, bringing them into the world of theatrical art is the main goal of puppet and young audience theater.

Methods: theoretical-analytical, comparative, generalization

Results: the actor of the puppet theater transfers his emotions, feelings, and spirit to the puppet and gives life and spirit to the inanimate body. Unseen on the stage, puppets teach the audience about life and natural phenomena, guide them to the right path, and help them distinguish between good and bad.

Scientific novelty: the role of the puppeteer in the puppet theater, its unique aspects, methods and tools in the process of image creation is to be researched.

Practical significance: the information presented in the article can be used theoretically by the students of the 1st courses of the puppet theater acting education of the art higher education institution.

Keywords

play.
culture
image
actor
puppet
stage
director
theater
technology
creator
screen

Authors

Umarkhodjaeva Mamura Karimbaevna

References:

  1. Kadyrov M.X. Ўзбек халқ томоша санъати. (“Uzbek folk art”) Т., Ўқитувчи, 1981, p.58.
  2. Smirnova N.I. “Искусство игращих кукол”. (“The art of playing puppet”.) М., 1983, p.125.
  3. That source.
  4. Speransky Ye. “Повесть о странном жанре”. (“The story of a strange genre”.)  М., 1971, p.78.
  5. Demmeny Ye. “Призвание кукольник”. (“Vocation puppeteer”). М., Искусство, 1986.

Other articles of the issue

Tulanova Dilnoza Zhurakhanovna TOPICAL ISSUES OF STUDYING THE CREATIVE HERITAGE OF RUSSIAN ARTISTS IN THE DEVELOPMENT OF LANDSCAPE PAINTING OF UZBEKISTAN
Download article in PDF463 views
cc-license
About us Journals Books
Publication ethics Terms of use of services Privacy policy
Copyright 2013-2024 Premier Publishing s.r.o.
Praha 8 - Karlín, Lyčkovo nám. 508/7, PSČ 18600, Czech Republic pub@ppublishing.org