THE ROLE OF TECHNOLOGY IN MODERN UZBEK ANIMATION AND ISSUES IN PERSPECTIVE
Authors
Haydarova Nigora Tokhirjonovna
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The purpose of the research: This article analyzes the creation of Uzbek animated films in various technologies, their influence on the artistic image created in modern technologies, starting with the first puppet cartoons.
Research methods: analysis, synthesis, observation, comparison, conversation.
Research results: Uzbek animation is interpreted in the above technologies, the development of which can be cited as follows. Puppet technology took the lead among technology until independence. Later, the drawing became richer with the film, and as a result of the addition of perekladka technology, the type of technology increased. At the beginning of the years of independence, perekladka technology developed, resulting in the 2000-2005 creation of films mainly on this technology. In these years, although the drawing began to create films in computer technology, but until the adaptation to the new technology, films were created mainly on perekladka technology. In the meantime, works were also created on plasticine technology. But the reason for the presence of specific complex processes of plasticine material was not created much work in this technology. From 2006, the entire drawing was switched to computer technology, and from 2010-to three-dimensional computer technology.
Practical application: The following recommendations on the development of technologies in Uzbek animation can be cited: 1. Animation studio provides the necessary equipment for puppet, plasticine, perekladka films, creating a modern creative environment and conditions, combining several technologies – that is, creating films that embody traditional and modern animation technologies; 2. Creation of a children's feature film with the participation of the heroes of the best works of the Uzbek multiplier and live actors; 3. The competition should be strengthened by the fact that the creators of the state studio switched to the creation of films in three-dimensional, private studios in two-dimensional technologies.
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Authors
Haydarova Nigora Tokhirjonovna
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