The theory of “Latoif” in Kubroviy and melodic dramaturgy in the art of Khorezm dastans
Authors
Rustam Kurbonboevich Boltayev
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Annotation
This article explores the syncretic relationship between the theory of “latoif” (the symbolism of form, color, and sound) of Najmiddin Kubro, the founder of Kubrovia, and changes in musical tone and performance style in the Khorezm school of dastans. It provides a scholarly analysis of the reflection of spirituality in mysticism, the vocal registers of bakhshi performance, and the dramaturgy of instrumental melodies and rhythms.
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Authors
Rustam Kurbonboevich Boltayev
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References:
Najmiddin Kubro. Favoih al-jamol va favotih al-jalol (The fragrances of beauty and the discovery of glory). – Tashkent, 1996.
Najmiddin Kubro. Al-usul al-ashara (Ten methods) and Risola at-turuq (Tariqatlar risolasi). – Tashkent, 2001.
Husayn Voiz Koshifiy. Futuvvatnomai sultaniy. Javonmardiylik risolasi. – Tashkent: Uzbekistan National Encyclopedia, 2019.
Komilov N. Tasawwuf. (Volumes 1 and 2). – Tashkent, 2009.
Matyoqubov Otanazar. Maqamat. – Tashkent, 2004.
Rajabov Is’hoq. On the issue of maqoms. – Tashkent, 1963.
Matyokubov B. Traditions of Khorezm doston performance. – Tashkent, 2009.
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