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OPERA DIAGONAL IN THE TRANSMISSION OF THE VOCAL PERFORMANCE PROCESS AS A FACTOR OF DIFFERENTIATION AND MULTI-CONTENT

Authors

Nesterova Antonina Sergeyevna

Rubric:Musical arts
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Annotation

the article is devoted to a deep analysis of the role of the "opera diagonal" as a key element in the process of transmitting vocal performance skills, focusing on its influence on the differentiation and multidimensionality of the interpretation of opera works. The focus of the study is on the phenomenon of the "opera diagonal," which is a complex interaction between the composer, the vocalist, the conductor, the set designer, the director, and the listener (audience), where the application of the concept of the "opera diagonal" contributes not only to the individualization of performing styles, but also to the enrichment of expressive means.

Keywords

composer
director
interpretation
conductor
differentiation
vocalist
opera diagonal
set designer
multi-content
viewer
vocal performance.

Authors

Nesterova Antonina Sergeyevna

Rubric:Musical arts
83
0

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References:

Egorova N. A. Stage embodiment of a vocal work / N. A. Egorova. – M.: GITIS, 1987. – 144 p.

Matusevich A. P. Conversations about opera and more. Conductors. Composers. Musicians. Directors. Managers / A. P. Matusevich. – 2nd ed., reprinted. – St. Petersburg: Planet of Music, 2025. – 348 p.

Pokrovsky B. A. Conversations about opera: a book for students. – M.: Education, 1981. – 192 p.

Stanislavsky K. S. An actor's work on himself / K. S. Stanislavsky. – M.: Art, 1938. – 478 p.

Starovoytova E. E. Performing interpretation. Lugansk: State University of Taras Shevchenko, 2010. – 150 p.

Khamidova M. Xonandalik san’ati: jahon va uzbek milliy an’analari. – T.: San’at, 2009. – 248 p.

Yusson R. Singing voice. Research and physiology / R. Husson. – M.: Muzyka, 1974. – 264 p.

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