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THE FORMATION AND DEVELOPMENT OF THE UZBEK PIANO SONATA

Authors

Sidikova Aliya Maratovna

Rubric:Musical arts
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Annotation

The purpose of the research: The purpose of this research is to identify the basic principles of the formation and development of the Uzbek piano sonata.

Research methods: To solve the goal, the article uses such theoretical and empirical methods as induction, analysis, synthesis, observation, comparison, conversation (interview).

Research results: In the process of scientific research, the national originality of piano sonata compositions was revealed from the point of view of refraction of elements of traditional musical presentation in piano literature, the causal relations of the small popularity of the sonata in composer creativity were analyzed, the influence of Western musical trends in the field of composer's creativity on the development of the Uzbek sonata was determined.

Practical application: The practical and theoretical significance of the results of the study consists in the complex analysis of piano sonata created in Uzbekistan, in the disclosure of their national identity in combination with the bold search for modern expressive means, as well as in understanding the issues of musical executive interpretation of works, taking into account their style originality, multifaceted figurative building and an individual-personal attitude to the performed work.

Keywords

piano sonata
George Mushel
Nurillo Zakirov
Valery Saparov
composer
Enmark Salikhov
Mukhamajan Atajanov
Akram Khashimov
Nuritdin Giyasov.
Uzbekistan
interpretation

Authors

Sidikova Aliya Maratovna

References:

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