POLYPHONIC CYCLES "PRELUDE AND FUGE" IN UZBEK COMPOSER’S WORKS
Authors
Flora Shaakhmedovna Mukhtarova
Share
Annotation
Purpose: to give a brief description of the polyphonic cycle "Prelude - Fugue" in the composer's work of Uzbekistan. Based on a comparison of the cycles of different composers, to identify and justify the innovative interpretation of this genre in the cycles of T. Kurbanov.
Methods: comparative, theoretical-analytical, generalization.
Results: The analysis of the cycles "Prelude-fugue" by different authors made it possible to establish common (typological) and various principles in the interpretation of the genre, and to single out the cycles of T. Kurbanov as the most innovative type.
Scientific novelty: in this article, for the first time, on the basis of shown methods, an original, individually creative interpretation of the old polyphonic cycle by the Uzbek composer T. Kurbanov was identified and substantiated.
Practical significance: the theoretical and analytical materials contained in the article can be used in scientific and pedagogical practice in musical and theoretical courses of music universities.
Keywords
Authors
Flora Shaakhmedovna Mukhtarova
Share
References:
1.Livanova T.N. Muzykal’naya dramaturgiya I. S. Bacha v yee istoricheskie svyazi.Ch.1 Simfonizm ( Musical dramaturgy of I. S. Bach and its historical connections. Part 1.Simphonism) – Moscow –Leningrad: Muzgiz, 1948. – 231 p. (in Russian).
2.Muxtorova F. Polifoniya (Polyphony) – Toshkent: Barkamol fayz media,2017 –p.174-177. ( in Uzbek).
3.Frantova T. O novyx funksiyax polifonicheskoy faktury v sovetskoy muzyke 60-х godov (About the new functions of polyphonic texture in Soviet music of the 60s) Problemy muzykal’noy nauki, 5 -Moscow: Sovetskiy kompozitor, 1983.- P.65-88 (in Russian).
4.Muxtarova F. Polifoniya v tvorchestve kompozitorov Uzbekistana, Tadjikistana, Turkmenistana (Polyphony in the works of composers of Uzbekistan, Tajikistan, Turkmenistan ) -Tashkent: Fan,1993/ - 92p. (in Russian).
5.Kuznesov I. Teoreticheskie osnovy polifonii XX veka. Issledovanie. (Theoretical foundations of polyphony of the twentieth century. Research.) - Moscow: Conservatoriya,1994 – P.137 -182 ( in Russian).
6. Slonimskiy S. Mysli o kompozitorskom remesle (Thoughts on composing) Sankt-Peterburg: Compozitor, 2006 – 25 p. (in Russian).
7.Goncharenko S. Fazovye prosessy v sovremennoy muzyke (Phase processes in modern music) –Dialettica del suono- 2/2012[4] – P.59-65 (in Russian).
8.Gavrilova N.A., Lesovichenko A.M. Individual’noe tvorchestvo I nasional'naya tradisiya nerazdel'ny (Individual work and national tradition are inseparable) –Muzykal’noe iskusstvo Evrazii– No.3(4) 2021/- P. 12-24 (in Russian).
9.Sokolov A.S. K probleme logicheskix definisiy ponyatiya “muzykal’naya forma” (To the problem of logical definitions of the concept of “ musical form”) - Journal Obshestva teorii muzyki: vypusk 2020 /1(29) – P.26-35 (in Russian).
Other articles of the issue
