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NURILLO ZAKIROV’S THIRD PIANO SONATA IS A MODEL OF HARMONY OF THE EAST AND THE WEST

Authors

Sidikova Aliya Maratovna

Rubric:Musical arts
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Annotation

The purpose of the research: The purpose of the work is to identify and show the stylistic features of Nurillo Zakirov’s third piano sonata, to study the influence of European traditions on the composer school of Uzbekistan. The article puts the problem of understanding and mastering the processes taking place inside the sonata genre.

Research methods: In the disclosure of the main positions of the work, theoretical analysis, musical-critical, intonational, performing methods of research were used.

Research results: The author emphasizes that N. Zakirov is the only composer who in Central Asia artistically took the aleatoric reception of composer writing and quite convincingly expressed it in his third sonata.

Practical application: The novelty of this work lies in the fact that for the first time the issue of the influence of the work of Krzysztof Penderecky on the piano music of Uzbekistan is considered.

Keywords

piano sonata
Nurillo Zakirov
Adiba Sharipova
makom
aleatoric.
Uzbekistan

Authors

Sidikova Aliya Maratovna

References:

  1. Golovyants T.A. Nurilla Zakirov. – Tashkent, 2010. – p.102
  2. Goryuhina N.A. Evolution of Sonata shape. – Kiev, 1973. – p.311
  3. Kadirova N. Chamber instrumental music // The history of Uzbek Soviet music. Volume 3. - Tashkent: Publisher of Literature and Art named after Gafur Gulyam, 1991 – p.194-195
  4. Мuhamedova F. Some aspects of performing genre of the piano sonata in Uzbekistan // Central Asian Journal of Art Studies – А., 2016.
  5. Мuhamedova F. Piano sonatas of uzbek composers in the context of the evolution of the genre in Europe // Global Journal of human-social science: an Arts & HumanitiesPsychology – USA, Volume 17 Issue 7 Version 1.0 Year 2017. 
  6. Muhamedova F. Formation, development of piano performance and education of Uzbekistan // Eurasian music science journal 7-15-2019
  7. Мuhamedova F. Dissertation abstract. Uzbek piano music, formation, originality, interpretation. – Т. 2019. – p.35
  8. Sharipova A. Coordinates of the perfoming style in the piano music of Usbekistan. – T., 1999 
  9. Sidikova A. Traditions of Domenico Scarlatti in the works of George Mushel on  the exemple of the “Pink Sonatina”. – Collection of articles of the IX International Scientific and Practical Conference «GLOBAL SCIENCE AND INNOVATIONS 2020: CENTRAL ASIA». A., - 2020
  10. Sidikova A. To the question of the meaning of the aleatoric device of composer writing in the piano work of Nurillo Zakirov.  Collection of articles of the IX International Scientific and Practical Conference «SCIENCE, RESEARCH, DEVELOPMENT»

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