NURILLO ZAKIROV’S THIRD PIANO SONATA IS A MODEL OF HARMONY OF THE EAST AND THE WEST
Authors
Sidikova Aliya Maratovna
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Annotation
The purpose of the research: The purpose of the work is to identify and show the stylistic features of Nurillo Zakirov’s third piano sonata, to study the influence of European traditions on the composer school of Uzbekistan. The article puts the problem of understanding and mastering the processes taking place inside the sonata genre.
Research methods: In the disclosure of the main positions of the work, theoretical analysis, musical-critical, intonational, performing methods of research were used.
Research results: The author emphasizes that N. Zakirov is the only composer who in Central Asia artistically took the aleatoric reception of composer writing and quite convincingly expressed it in his third sonata.
Practical application: The novelty of this work lies in the fact that for the first time the issue of the influence of the work of Krzysztof Penderecky on the piano music of Uzbekistan is considered.
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Authors
Sidikova Aliya Maratovna
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References:
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