Makom melodies in a musical drama: Farhod and Shirin
Authors
Shukur Jahongir Joraqul ogli
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Annotation
In this article, we share some innovative features in the musical drama "Farhod and Shirin" of the great composer V. Uspensky. About how the composer managed to find a creative solution to make the symphony orchestra sound like Uzbek traditional instruments. The article also tells how the composer Uspensky found an interesting combination, combining a piece from traditional music Maqom with the traditions of symphony orchestral instrumentation.
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Authors
Shukur Jahongir Joraqul ogli
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References:
1. Mamadjanova E. History of Uzbek Music (Creativity of Composers of Uzbekistan: Personalities, Periods, Genres). T., 2020.
2. A. Jabborov "Musical Drama and Comedy Genres in the Works of Uzbek Composers", Gafur Gulam Publishing House of Literature and Art, 1999, p. 65.
3. Shokhidakhan Ma'zumova. "Scene of Joy" in the Destiny of the Time, memories. G. Gulam publishing house, Tashkent, 1982
4. Vyzgo, T. Musical Instruments of Central Asia. Historical Essays. - M., 1980.
5. Matyoqubov O. Maqomat. –T., 2004.
6. Belyayev, V. On Musical Folklore and Ancient Writing, (collection of articles). - M., 1971.
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