THE EVOLUTION OF MUSICAL TUNINGS AND THEIR INFLUENCE ON INSTRUMENTAL CULTURE: HISTORICAL, THEORETICAL AND CULTURAL ASPECTS
Authors
Tursunova Ravshanoy
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Annotation
This article is devoted to a comprehensive study of the evolution of musical tunings and their role in the formation of instrumental culture. Based on the analysis of researchers' works (Lobanov, Garbuzov, Kharlap, Barbour, Lindley, Korykhalova, Lebedev), the key stages in the development of musical tunings, their influence on the design and tuning of instruments, as well as the connection with the aesthetic, cultural, and philosophical ideals of various eras are considered. Special attention is paid to the transition from meantone temperament to equal temperament, which became an important stage in the history of music, influencing composition, performance practice, and the development of musical instruments. The article also touches upon the issues of pitch perception and its relationship with musical tuning, as well as the role of folk traditions in the formation of musical systems.
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Authors
Tursunova Ravshanoy
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References:
Lobanova, M. Western European Musical Baroque: Problems of Aesthetics and Poetics. — Moscow: Muzyka, 1994. — 322 pp.
Lebedev, S. On the Aesthetic Evaluation of Consonances in Medieval Musical Theory / Ministry of Culture of the RSFSR, State Musical Pedagogical Institute named after Gnesins. — Moscow, 1987. — 32 pp.
Barbour, J. Murray. Tuning and Temperament: A Historical Survey. — East Lansing: Michigan State College Press, 1951. — 228 pp.
Lindley, Mark. Lutes, Viols and Temperaments. — Cambridge: Cambridge University Press, 1984. — 144 pp.
Korykhalova, N. Musical Performance Terms: Origin, Development of Meanings and Their Nuances, Use in Different Styles. — St. Petersburg: Kompozitor, 2000. — 272 pp.
Garbuzova, N. The Zonal Nature of Pitch Hearing. — Moscow: Muzgiz, 1955. — 84 pp.
Kharlap, M. The Folk-Russian Musical System and the Problem of the Origin of Music. / Early Forms of Art: Collection of Articles. Comp. S. Yu. Neklyudov; ed. E. M. Meletinsky. — Moscow: Iskusstvo, 1972. — Pp. 221–273.
Petrosyants, A. Instrumentation: The Uzbek Orchestra of Reconstructed Folk Instruments / Decade of Uzbek Literature and Art in Moscow. — Tashkent: State Publishing House of the Uzbek SSR, 1951. — 100 pp.
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