SEGAH MAQAM AND ITS EQUIVALENTS IN BUKHARA AND KASHMIR
Authors
Botirova Nilufar Akhad qizi
Share
Annotation
This scientific article explores Maqom melodies and songs, as well as the new artistic works created based on them, which continue to serve as a beautiful, unique, and valuable spiritual nourishment for all of humanity today.
Building on this idea, this section examines and analyzes the common aspects of the "Segoh" maqom, which holds a special place in the music of Eastern peoples. Despite having shared roots, this maqom has developed in two different cultural spheres—Uzbek and Indian traditions—while embodying the most exquisite musical traditions of both regions.
Keywords
Authors
Botirova Nilufar Akhad qizi
Share
References:
1. Karomatov F. M. Uzbekskaya instrumentalnaya muzika. – T., 1972
2. Oripov 3. Shark musiqiy manbashunosligi (X-XI asrlar). - Toshkent: Fan va texnologiya, 2008.
3. Plaxov Y.P. Xudojestvenniy kanon v sisteme professionalnoy vostochnoy monodii. - Toshkent: Fan, 1988.
4. Rajabov I. Maqomlar masalasiga doir. - Toshkent: Uzbekistan davlat badiiy adabiyot nashriyoti, 1963.
5. Rajabov I. Maqomlar (nashrga tayyorlovchi va maxsus muxdrrir O.Ibroximov). - Toshkent: San’at, 2006.
6. Rajabov I. Maqom asoslari. // Uquv-metodik qo‘llanma. Yunusov R. taxriri ostida. - Toshkent, 1992.
Other articles of the issue
