INTERPRETATION OF THE SONATA GENRE IN THE WORKS OF UZBEKISTAN COMPOSERS
Authors
Yakubova Muborak Sultanovna
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Annotation
the article is devoted to the study of the sonata genre in the works of composers of Uzbekistan, identifying its evolutionary transformations and the specifics of national interpretation. Based on the analysis of the works of key representatives of the composer school, the features of form-building, dramatic models and stylistic innovations are considered. Particular attention is paid to the synthesis of European genre canons with the traditions of Uzbek monodic art, which is manifested in themes, harmonic structures and rhythmic organization. The tendencies towards individualization of the genre through the modification of the sonata cycle, the fusion of cyclicality and one-part, genre synthesis and the use of modern compositional techniques (sonorica, aleatorica) are considered. The article emphasizes the importance of the sonata heritage of Uzbek composers as a unique phenomenon reflecting the interaction of national and world musical traditions, and also identifies new ways of developing the genre in the context of modern musical language
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Authors
Yakubova Muborak Sultanovna
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