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QUESTIONS ABOUT PLAYING THE ROLE OF CARMEN BASED ON THE OPERA OF THE SAME NAME J. BIZET “CARMEN”

Authors

Aleksandrova Olga Alekseevna

Rubric:Musical arts
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Annotation

Carmen is the role of my life. Work on this most difficult opera part began in my student years, during my studies at the Novosibirsk Conservatory named after M. Glinka. The role of Carmen was entrusted to me during my studies in the opera class, and the student of Walter Felsenstein himself, director E. Titkova, worked with me on this image.

The article discusses the issues of playing the role of Carmen based on the opera of the same name by J. Bizet “Carmen”.  Based on the analysis of the opera genre in the work of modern performers, expressive means aimed at educating the younger generation through the art of opera are identified.

Keywords

Opera
tradition
development
vocals
composer
education.
art
theater

Authors

Aleksandrova Olga Alekseevna

References:

  1. Felzenshteyn V. «Karmen» bez poddelok, Feldenigeyt V. «O muzikalnom teatre». M., 1984.
  2. Yuldashbayeva T. Mastera uzbekskoy opernoy sseni. Т., 1985.

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