The importance of Baroque music in the vocalist's education (using the example of Handel's music)
Authors
Egamberdy Tursunov
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Annotation
Academic vocal teachers are actively searching for undeservedly forgotten, previously unreleased compositions to expand the repertoire of students. So, in academic vocal classes, motets, solo cantatas, and arias from operas by composers of the late 17th and 18th centuries are learned. In modern concert practice, Baroque music is becoming popular and beloved by the listening audience.
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Authors
Egamberdy Tursunov
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References:
Butt J. Authentic performance / J. Butt // Grove's Musical Dictionary. Moscow, 2001. – p. 59.
Dmitriev L. Fundamentals of vocal technique. Moscow, 1996.
Rolland R. Musical and historical heritage: in the 8th issue. Issue P: Opera in the 17th century in Italy, France, Germany and England. Handel. Moscow, 1987.
Rossini J. Selected emails. Statements. Memoirs / ed. by comp. E. Bronfin. Leningrad, 1968.
Taraeva G. Ancient music: authentic style and interpretation.Taraeva // Vintage music today. Materials of the scientific and practical conference. Rostov-on-Don, 2004. pp. 8-23.
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