Vocalize in Vocal Art: Origin, Development, and Significance
Authors
Ismoilova Mahbuba Elamonovna
Share
Annotation
The article examines the genre of Vocalize in musical performance, its origin, evolution, and significance. Initially used as a tool for developing vocal technique, vocalize gradually gained independent importance in academic music, becoming a full-fledged piece performed in concert programs. Special attention is given to the etymological aspects of the term "vocalize" its role in various vocal schools, and its significance in the development of vocal mastery.
Purpose: To determine the historical development and significance of the vocalize genre in musical performance, as well as its influence on the formation and refinement of vocal technique.
Method: The study employs a historical-analytical method, which includes the analysis of literary sources, musical works, and pedagogical practices related to the use of vocalize in the training of vocalists.
Result: Definition and origin of the term "Vocalize",
functions and significance of Vocalize s in vocal art.
Scientific novelty: The study systematizes information on the origin and development of the vocalize genre, reveals its multi-level typological structure, and emphasizes its significance not only as a technical exercise but also as an independent artistic work in academic music.
Keywords
Authors
Ismoilova Mahbuba Elamonovna
Share
References:
Vocalization Musical encyclopedia: in 6 volumes / ed. Yu.V. Keldysh. - Moscow. 1973. P. 114.(In Russian)
2.Vox Latina W.Sidney Allen Cambridge University Press London. 1965 first published. Page 146
Vocalism. Soviet encyclopedic dictionary. scientific-ed. advice of A.I. Prokhorov [and others]. Moscow. 1980. - P. 242.(In Russian)
Vocal. National Encyclopedia of Uzbekistan» State Scientific Publishing House, T-2001, P.490.(In Uzbek)
Vocalization. National Encyclopedia of Uzbekistan. State Scientific Publishing House, Tashkent. 2001. P. 491.(In Uzbek)
Glinka, M. I. Notes on Musical Art. / Edited by A. N. Rimsky-Korsakov - Moscow. Publishing House "Yurait", 2019. P. 34 (In Russian)
Ismoilova M “Vocal Teaching Methodology” Educational and methodological manual for students of higher and secondary specialized musical education, “Music” publishing house, Tashkent. 2011. P.18 (In Uzbek)
Lutsker, P.V. Italian opera of the 18th century. Part 2. The era of Metastasio / P.V. Lutsker, I.P. Susidko. - Moscow. Classic-XXI, 2004. P. 768. (In Russian)
Omonullayeva D. Pop singing. Music publishing house. Tashkent. 2016. P. 23 (In Uzbek)
Sollertinsky I. Fundamentals of vocal mastery. M. Yurait. 2020. P. 45. (In Russian)
Sposobin. Shakli music. Tashkent. Uqituvchi. 1982. P. 294
Other articles of the issue
