Issues of performing interpretation of Sonata for violin and piano by G. Mushel.

1. Ganieva L. Methodological aspects of studying the development of piano-ensemble art of Uzbekistan. Tashkent: 2024, 96 p. (in Russian)

2. Ginzburg L. On working on a musical work. Fourth edition, supplemented. Moscow: 1981, 143 p. (in Russian)

3. Golovyants T. Chamber and instrumental ensemble music of Uzbekistan. Tashkent: 1990, 111 p. (in Russian)

4. Imkhanitsky M. New information on articulation and strokes in musical intonation. Second edition, revised and supplemented. Moscow: 2018, 221 p. (in Russian)

5. Kadyrov R. Musical psychology. Tashkent: 2014, 88 p. (in Russian)

6. Kon Yu. Some issues of the modal structure of the Uzbek folk song and its harmonization. Tashkent: 1979, 99 p. (in Russian)

7. Kuznetsova G. Organ works of G.A. Mushel // Problems of musical science of Uzbekistan. Tashkent: 1973, pp. 211-227. (in Russian)

8. Lavrov A. Musical art of the XXI century: problems and solutions // Musical art of the XXI century: problems and solutions. Collection of materials of the International scientific and practical conference. November 5, 2018 Tashkent: 2018. pp. 15-18. (in Russian)

9. Milman M. Thoughts on chamber-ensemble pedagogy and performance // Chamber ensemble. Pedagogy and performance. Moscow: 1979, pp. 48-63. (in Russian)

10. Pekker Ya. Georgy Mushel. Moscow: 1966, 132 p. (in Russian)

11. Stupel A. In the world of chamber music. Second edition. Leningrad: 1970, 88 p. (in Russian)

12. Tsypin G. Musical performance. Performer and technique: textbook for universities. 2nd edition, revised and supplemented. Moscow: 2024, 193 p. (in Russian)

13. Shirinsky A. Violinist's stroke technique. Moscow: 1983, 85 p. (in Russian)