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Seven Spanish Folksongs for Voice and Piano by Manuel de Falla - a laboratory of performing creativity

Authors

Karyakina Liliya Mikhailovna

Rubric:Musical arts
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The article examines the vocal cycle ‘Seven Spanish Folksongs for Voice and Piano by classic Spanish music by Manuel de Falla (1876-1946)’. It was created in 1914-1915, remained popular on concert stages around the world for 110 years, giving performers the opportunity to reveal their talent. The harmonious interweaving of folk foundations and composer's skill provides the cycle with a happy performing life, the results of which were many interpretations, starting from the original source, where Manuel de Falla himself with the singer Maria Barrientos gave the start to performing interpretations.

Keywords

laboratory
concept.
interaction
vocalist
image
dramaturgy
performance
expressiveness
vocal cycle
pianist-accompanist
interpretation

Authors

Karyakina Liliya Mikhailovna

References:

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3. Imkhanitsky M. New Information on Articulation and Strokes in Musical Intonation. Second Edition, Revised and Supplemented. M.: 2018, 221 p. (in Russian)

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5. Kasymova M. Results and Prospects of the Activities of the Accompanist Department of the State Conservatory of Uzbekistan // The Art of the Accompanist: a monographic collection dedicated to the 85th anniversary of the State Conservatory of Uzbekistan, 2022, - 200 p. (in Russian)

6. Martynov I. Manuel de Falla. Life and Work. M.: 1986, 192 p. (in Russian)

7. Martynov I. Music of Spain. Monograph. M.: 1977, 376 p. (in Russian)

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10. Kholopova V. Issues of rhythm in the works of composers in the first half of the twentieth century. Method of analysis. M.: 1971, 304 p. (in Russian)

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