CULMINATIONS AND NAMUDS IN SHASHMAKOM: ZEBO PARI AND AVJ-I TURK

Makoms occupy a huge place in the musical heritage of the peoples of the East. Therefore, for a long time the issue of makoms attracted the attention of musicologists and orientalists and remained one of the issues of great historical, scientific and practical importance in the musical culture of the peoples of the East. In most historical and theoretical works and sources of a historical and literary nature on the musical culture of the East of the IX-XIX centuries, the issue of makoms is given special importance. This article provides information about the namuds and the culminations that take place in Shashmakom, based on these sources.