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VITALIY KYREYKO’S BODY OF WORK IN OPERAS AND BALLETS: GENRE AND STYLE CHARACTERISTICS

Authors

Shesterenko Iryna, Shylenko Lada

Rubric:Study of art and cultural studies
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Objective: to research Vitaliy Kyreyko’s opuses for musical theatre in the context of national Ukrainian culture, to examine their genre and style characteristics.

Methods: comparative historical (comparison), source criticism, logical and analytical, system-structural (systematic approach), empirical and theoretical (observation, analysis and modeling).

Results: basing on the V. Kyreyko’s operas and ballets composer’s style was considered in the terms of genre characteristics of his five operas such as ‘Forest Song’, ‘On Sunday Morning…(Turkynia)’, ‘Marco in Hell’, ‘Vernissage at the Fair’ and ‘Boyarynya’, and four ballets – ‘Shadows of Forgotten Ancestors’, ‘Witch’, ‘Orgy’, ‘Sun stone’. Have been studied their primary sources, that belong to the Ukrainian literature classics and it has been showed the relevance of his body of work.  

Scientific novelty of the work is that V. Kyreyko’s style was explored on the example of his opera and ballet opuses, examined their genre and style characteristics, determined the value of his works in Ukrainian classical history of music.

Practical significance: the main provisions and conclusions of this article can be used in the scientific and teaching activities in addressing issues of Ukrainian classical music and in the teaching courses like ‘History of Ukrainian music’, ‘Ballet history’, ‘Opera dramaturgy’, etc.

Keywords

Ukrainian classical music
Vitaliy Kyreyko
opera and ballet

Authors

Shesterenko Iryna, Shylenko Lada

References:

  1. Yefremova L. P., ‘The forest song’, opera by V. Kyreyko, Kyiv, 1965. 52 p. (in Ukrainian).
  2. Zagaykevych M.P., Vitaliy Kyreyko’s opera ‘On Sunday morning...’ // Culture and life, Kyiv, 1966, V. 14 (in Ukrainian).
  3. Zagaykevych M.P., The artist and his time // Culture and life, Kyiv, 1997. 05.02. (in Ukrainian).
  4. Mayburova K. V., Vitaliy Kyreyko. Creative portraits of Ukrainian composers. Kyiv, 1979. 48 p. (in Ukrainian).
  5. Shesterenko I., Little known biography pages of V. D. Kyreyko // Scientific Bulletine of NMAU named by Tchaikovsky. V. 55.  K., 2006, P. 88-98 (in Ukrainian).
  6. Shesterenko I., New Ukrainian opera // Music. К., 2005, №5. P. 8-10 (in Ukrainian).
  7. Shesterenko I. V., Vitaliy Kyreyko’s creativity in the course of History of Ukrainian music:  Training manual: К., 2008, 428 p. (in Ukrainian).
  8. Shesterenko I. V., The music language of Vitali Kyreyko as Ukrainian mentality // Scientific Bulletine of KNUKiM. Kyiv, 2010. Vol. 23. P. 189–195. (in Ukrainian).
  9. Shesterenko I. V., Vitaliy Kyreyko: composer’s creation in the context of time // Zbior Artykulow Naukowych. Warszawa (PL), 2016. Pp. 27- 29. (in English).
  10. Shesterenko I. V., The Opera Creativity of the Ukrainian composer Vitaliy Kyreyko // Science, Research, Development # 28. Baku, 2020. Pp. 65- 68. (in English).
  11.  Shesterenko I. V., The new ways of research of Vitaliy Kyreyko’s creation of 2000 years // Ukraine, Europe, World: History and names in the cultural-art reflections. Kyiv, P. Tchaikovsky National Music Academy of Ukraine, 2020. Pp. 208 – 212. (in Ukrainian).
  12.  Shylenko, Lada, Opera works by Vitaliy Kyreyko in the 1950’s–60’s in the context of the history of Kyiv State Conservatory named after P. I. Tchaikovsky // Scientific Bulletine of NMAU named by Tchaikovsky. Kyiv, 2016. Vol. 114. P. 197–212.
  13. Shylenko L. A., Techniques of scenographic design in the performances of Vitaliy Kyreyko’s opera-fairy ‘The Forest Song’ // Scientific Bulletine of NMAU named by Tchaikovsky. Kyiv, 2017. Vol. 38. P. 89–99.
  14. Shylenko, Lada, Opera heritage of Ukrainian composer Vitaliy Kyreyko in theatre and stage embodiments of his opera ‘The Forest song’ // Young Scholars Journal, Premier Publishing s. r. o. Vienna. 6-7 2021. P. 103–107. (in English).

 

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