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The motif of compositional cyclicity within J.Goethe’s ‘Faust’

Authors

Berberyan Anna

Rubric:Theory of Literature. Textology
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Annotation

‘Faust’ is a true masterpiece of the world literature. For many years, literary critics have been striving to decipher a series of complex codes and symbols laid down by J. Goethe, alongside the writers have exploited the motifs that are actual within ‘Faust’. This work examines the motif of compositional cyclicity and the concepts that are collateral to it. The scientific novelty of the work reveals itself in the presentation of the new broad compositional classification based on the stages of protagonist’s personality development and in the disclosing of the act-concept. 

Keywords

‘Faust’
motif
compositional cyclicity
J. Goethe
oberhalbmenschlich
concept

Authors

Berberyan Anna

References:

  1. A. Kline. Faust Parts I & II, International and Pan American Copyright Conventions, 2003.
  2. Dieter Götz, Günther Haensch, Hans Wellmann, Grosswörterbuch Deutsch als Fremdsprache, Langenscheidt, 2006.

3.  J. W. von Goethe. Faust - Der Tragödie erster Teil, 1808.

4.  L. A. Zelenov Sistema e`stetiki. Izd-vo: GXI NNGASU, Rossijskaya akademiya obrazovaniya, 2004.

5.  S. Telegin Alhimija kak kniga zerkal. Kul'tura i tekst, 2015, №5 (23).

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