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The Game of Roles in Harold Pinter’s The Collection and The Lover

Authors

Sukhitashvili Eliso

Rubric:Philology
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Annotation

In The Collection and The Lover Pinter depicts a world in which games give meaning to the characters' lives. The characters combine two natures in themselves, and the truth they speak is in a state of flux like Heraclitus' river, and it returns as reflected in the consciousness of the characters. Scenes depicted in one play are reflected in another play. There is no birth in the plays, and the characters are as infertile as the land is barren in Eliot’s poem.

Keywords

Game
Roles
The Collection
The Lover

References:

  1. Alabdullah, Dr. Abdulaziz H. “HOME AS A BATTLEFIELD: POWER AND GENDER IN HAROLD PINTER'S THE COLLECTION, THE LOVER AND OLD TIMES,” Global Journal of Arts, Humanities and Social Sciences, Published by European Centre for Research Training and Development UK, Vol.4, No.3,  February 2016, pp.29-38
  2. Adler, Thomas P. “Notes toward the Archetypal Pinter Woman,” Theatre Journal , The Johns Hopkins University Press, Oct., 1981, Vol. 33, No. 3 (Oct., 1981), pp. 377-385
  3. Dukore, Bernard F. “The Pinter Collection,” Educational Theatre Journal , The Johns Hopkins University Press, Vol. 26, No. 1, Mar., 1974, pp. 81-85,
  4. Dutta, Mithun. “Love, Power, Paradox in Pinter’s Play the Lover,” International Journal of English Language, Literature and Humanities, Volume II, Issue VII, November 2014
  5. Eliot T.S. “The Waste Land,” Boni and Liveright, New York, 1922
  6. Eliot T.S.”Collected Poems 1909-1962,” Harcourt Brace Jovanovich Publishers, New York, San Diego, London, 1963
  7. Graham, Daniel W. (2019) „Heraclitus,” 3.1 Flux 3.2 The Unity of Opposites, available: https://plato.stanford.edu/entries/heraclitus/
  8. Hinchliffe, Arnold P. “Harold Pinter,” Twayne Publishers, Inc; New York, 1967
  9. Kerr, Walter. “Harold Pinter,” Columbia University Press, New York & London, 1967
  10. Kobakhidze, Temur. “Dance Macabre: “Sweeney Agonistes: Fragments of an Aristophanic Melodrama,”” in Thomas Eliot and the Literary Aesthetics of High Modernism, Publishing House Universal, Tbilisi, 2015, pp. 237-261.
  11. Pinter, Harold. “The Lover, Tea Party, The Basement,” Grove Press, Inc., New York, 1967
  12. Pinter, Harold. “Three Plays,” Grove Press, Inc. New York, 1962
  13. Pirandello, Luigi. “The Rules of the Game, Right You Are (If You Think So), Henry IV,” Penguin Books, 1962
  14. Taylor, J.R. “Harold Pinter” in The Angry Theatre, HILL and WANG Inc. 1969, pp. 323-359
  15. Wagner, Marlene Strome. “THE GAME-PLAY IN TWENTIETH-CENTURY ABSURDIST DRAMA: STUDIES IN A DRAMATIC TECHNIQUE,” Ph.D. dissertation, Faculty of the Graduate School, University of Southern California, 1971

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