The specifics of adaptation and dubbing of vocal episodes in cinema and animation

The article is devoted to the analysis of professional duties and the specifics of the work of a sound producer in the dubbing of foreign films and animated films into Uzbek. The paper examines in detail the main stages of adaptation of vocal material: from the preparation of text layout, taking into account phonetic synchronization (lipsing), rhythm and preservation of semantic accents to direct studio recording. Special attention is paid to the psychological, pedagogical and technical aspects of interaction with dramatic actors and professional vocalists, as well as the criteria for the selection of performers and the specifics of the organization of the studio process. The work highlights the key role of the sound producer in creating a harmonious sound sequence and emotional perception of the film by the viewer.