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THEORETICAL FOUNDATIONS FOR IMPROVING THE METHODOLOGY OF DEVELOPING VOCAL PERFORMANCE SKILLS IN FUTURE MUSIC TEACHERS

Authors

Kavilova Dilyorakhan Abdujabbor Qizi

Rubric:Education system
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Annotation

This article discusses the historical formation and improvement of methods for developing vocal performance skills. It analyzes sound production, singing techniques, pedagogical concepts, and the activities of prominent vocal pedagogues from ancient civilizations to the era of the Italian vocal school. The study also highlights the emergence of new genres and styles, as well as the significance of mixed breathing techniques in vocal art.

Keywords

pedagogy
opera
breathing technique
music.
vocal performance
methodology

Authors

Kavilova Dilyorakhan Abdujabbor Qizi

References:

G.Zarlino. Le istituzioni harmoniche. Venice, 1558. Prima parte, p.357.

Lodovico Zacconi. Prattica de musica, utile et necessaria si al compositore, come al cantore. Venice, 1592, Terza parte, p.470.

G.Caccini. Le nuove musiche. Firenze, 1602, p.79.

Nadine Winston. The forgotten Genius of Baroque Music. Ahrensburg, 2025, p.224.

Richard Osborne. Rossini: his life and works. Oxford university Press., 2007, II, p.432.

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