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THE JAZZ-MAKOM PROJECT IS A PHENOMENON IN THE CONTEXT OF THE INTERCONNECTION OF MUSICAL ART

Authors

Sedykh Tatyana Tomovna

Rubric:Musical arts
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Annotation

the article examines the significance of the phenomenon of ethno-jazz in Uzbekistan, revealed during the Fergana jazz festivals of 1977 and 1978, as a kind of expansion of the direction of ethno-jazz, the creation of the International Project «Jazz-Makom» as a type of creative musical art, its participants, the performed repertoire, concert performances, and the perception of the listening audience.

Authors

Sedykh Tatyana Tomovna

Rubric:Musical arts
34
0

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References:

History of Music of Central Asia and Kazakhstan. Ed. Solomonova T.E. Tashkent, 1995.

Musical Encyclopedic Dictionary. Ed. Keldish G.B. Moscow, 1991.

Gafurbekov T.B. Creative Resources of National Monody and the I-X Refraction in Uzbek Soviet Music. Tashkent, 1987.

Gilyov S.A. Conversations about Jazz. Tashkent, 2008.

Sedix T.T. Jazz of Uzbekistan: Genesis, Evolution, Originality. Tashkent, 2024.

Gafurbekov T.B. Folklore sources of Uzbek professional musical creativity. Tashkent, 1984.

Ibragimov O.A. Fergana-Tashkent makomi. Tashkent, 2006.

Mulladjanov D.M. The musical heritage in Uzbek pop-music. // Shashmakom, an’analari va zamonaviylik. Tashkent, 2005.

Other articles of the issue

Zokirov Azizjon REGIONAL DIMENSIONS OF UZBEK MAQOM ART: THE FERGANA-TASHKENT PERFORMANCE TRADITION IN CONTEXT
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