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THE JAZZ-MAKOM PROJECT IS A PHENOMENON IN THE CONTEXT OF THE INTERCONNECTION OF MUSICAL ART

Authors

Sedykh Tatyana Tomovna

Rubric:Musical arts
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Annotation

the article examines the significance of the phenomenon of ethno-jazz in Uzbekistan, revealed during the Fergana jazz festivals of 1977 and 1978, as a kind of expansion of the direction of ethno-jazz, the creation of the International Project «Jazz-Makom» as a type of creative musical art, its participants, the performed repertoire, concert performances, and the perception of the listening audience.

Keywords

listener
ensemble
improvisation
performing musician
musical instruments
art
music
poppy seed
jazz
folk art.
repertoire

Authors

Sedykh Tatyana Tomovna

References:

History of Music of Central Asia and Kazakhstan. Ed. Solomonova T.E. Tashkent, 1995.

Musical Encyclopedic Dictionary. Ed. Keldish G.B. Moscow, 1991.

Gafurbekov T.B. Creative Resources of National Monody and the I-X Refraction in Uzbek Soviet Music. Tashkent, 1987.

Gilyov S.A. Conversations about Jazz. Tashkent, 2008.

Sedix T.T. Jazz of Uzbekistan: Genesis, Evolution, Originality. Tashkent, 2024.

Gafurbekov T.B. Folklore sources of Uzbek professional musical creativity. Tashkent, 1984.

Ibragimov O.A. Fergana-Tashkent makomi. Tashkent, 2006.

Mulladjanov D.M. The musical heritage in Uzbek pop-music. // Shashmakom, an’analari va zamonaviylik. Tashkent, 2005.

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