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DRAMATURGICAL INTERPRETATION OF ORCHESTRA AND SOLO HARMONY IN P.I. TCHAIKOVSKY'S 1-ST PIANO CONCERT

Authors

Kuvatov Ilyos Isroilovich

Rubric:Musical arts
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Annotation

“Piano Concerto No. 1 in B minor, Op. 23” is a work that represents an important stage in the development of the concert genre of the Romantic era, in which the traditions of the classical ensemble are combined with the principles of symphonicism of the new era. In this concert, Pyotr Ilyich Tchaikovsky takes the relationship between the soloist and the orchestra out of the traditional model of competition and raises it to the level of symphonic cooperation.

Keywords

piano concerto
romantic symphonism
ensemble culture
solo and orchestral relationship
sonata-allegro form
tonal dramaturgy
motivic development
symphonic thinking
agogics
dynamic contrast.

Authors

Kuvatov Ilyos Isroilovich

Rubric:Musical arts
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References:

Michael Steinberg, The Concerto: A Listener's Guide, Oxford University Press, London/New York, 1998, p. – (chapter on Tchaikovsky Piano Concerto No. 1).

Alshwang A. A. "P. I. Tchaikovsky" (1970).— S. 234

Asafev B. V. "The Music of Tchaikovsky" (1972).

Brown, D. Tchaikovsky: The Crisis Years, 1874–1878 / D. Brown. — London: Victor Gollancz, 1983. — 312 p.

Norris, J. The Russian Piano Concerto, Vol. 1: The Nineteenth Century / J. Norris. — Bloomington: Indiana University Press, 1994. — 224 p.

Poznansky, A. Tchaikovsky: The Quest for the Inner Man / A. Poznansky. — New York: Schirmer Books, 1991. — 679 p.

https://www.belcanto.ru/tchaikovsky_concerto1.html

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