TIMBRE-TEXTURAL FUNCTIONALITY AS THE BASIS OF MUSICAL THINKING IN THE COMPOSITION “COLOR” BY JAKHONGIR SHUKUR.
Authors
Kutluchurina Alina Alfredovna
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Annotation
This article focuses on the chamber-instrumental composition “Color” by Jakhongir Shukur, analyzed from the perspective of timbre and texture as key categories of musical language influencing the semantic and formative principles of structure. The terms TTF (timbre-textural functionality) and TTD (timbre-textural dramaturgy) are introduced and examined in both theoretical and analytical dimensions. The author concludes that timbre-textural functionality (TTF)—that is, the functions and interaction of timbre and texture within the work—constitutes the foundation of the composition’s musical thinking and significantly influences the principles of timbre-textural dramaturgy (TTD), understood as the construction of dramaturgy through changes in texture and timbre.
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Authors
Kutluchurina Alina Alfredovna
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References:
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