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Batyr Zakirov as a Representative of Uzbek Art: Creativity and Its Influence on the Development of National Pop Music

Authors

Tursunbaev Ilkhom Karimovich

Rubric:Musical arts
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Annotation

Batyr Zakirov occupies a distinctive place in the history of Uzbek art as one of its most prominent and multifaceted representatives. His creative activity played a decisive role in the formation of modern Uzbek pop art by integrating national cultural traditions with elements of global artistic practice. This article aims to introduce the international academic community to the artistic heritage of Batyr Zakirov and to examine his influence on the development of Uzbek pop music and stage culture. The study focuses on Zakirov’s artistic universalism, his innovative approach to performance, and his contribution to shaping aesthetic standards within national pop art. Particular attention is given to his role in expanding the expressive potential of Uzbek pop performance and establishing it as an independent and artistically significant form of stage art.

Keywords

estrada
national identity
cultural heritage
Batyr Zakirov
Uzbek art
Uzbek pop music

Authors

Tursunbaev Ilkhom Karimovich

Rubric:Musical arts
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References:

Akbarov, A. (2015). Uzbek Pop Art and Its Development. Tashkent: Art Publishing House.

Sultanova, R. (2011). Music and Identity in Central Asia. Oxford: Oxford University Press.

Leach, N. (2014). Modernity and National Culture. London: Routledge. Yusupova, D. (2018). The Evolution of Estrada in Uzbekistan. Journal of Asian Arts, 12(3), 45–60.

Brown, S. (2010). Popular Music and Society. Cambridge: Polity Press. Khalikov, U. (2019). Performing Arts in Uzbekistan. Tashkent: Culture Foundation.

Smith, J. (2016). Art, Performance, and Identity. New York: Palgrave Macmillan.

 

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