THEORETICAL ASPECTS OF STAGE SPEECH IN MUSICAL DRAMA
Authors
Ibragimova Umida Navruzovna
Share
Annotation
Purpose: To interpret the theoretical aspects of stage speech in musical dramas.
Methods: Observation, systematic analysis, representative analysis, and interview.
Results: This article discusses the theoretical aspects of stage speech in musical dramas. It explores the formation of musical theater and the specific features of stage speech and musical theater: the use of words, voice, and music.
Scientific novelty: The specificity of stage speech by actors in musical performances is studied.
Practical significance: This article serves as a methodological resource for creative processes, theater, and the training of future actors and directors.
Keywords
Authors
Ibragimova Umida Navruzovna
Share
References:
Qodirov, M. Genre Boundaries. // Culture of Uzbekistan, April 2, 1976. – p. 3.
Umarov, A., Bekmurodov, M. Explanatory Dictionary of Cultural and Art Terms. – Tashkent: Gʻafur Gʻulom Publishing and Printing Creative House, 2015. – p. 129.
Qodirov, M. Magic and Love. – Tashkent: Gʻafur Gʻulom Literature and Art Publishing House, 1980. – p. 6.
Hamidova, M.A. Analysis, Criticism, and Promotion of Works of Art. – Tashkent: Uzbek State Institute of Arts, 2009. – p. 53.
Navruzovna, U.I. A Perfect Interpretation of the King and the Poet on the Musical Theater Stage. // European Journal of Arts. – 2023. – No. 4. – pp. 20–23.
Ibragimova, U. The Importance of Language and Speech in Creating the Image of a Historical Figure. // Journal of Culture and Art. – 2024. – Vol. 2. – No. 2. – pp. 53–59.
Ibragimova, U. The Scenic Expressiveness of Live Speech. // Mejdunarodniy Zhurnal Iskusstvo Slova. – 2019. – No. 5.
Ibragimova, U. Interpretation of Stage Speech Issues in Uzbek Musical Dramas. // Oriental Art and Culture. – 2024. – Vol. 5. – No. 1. – pp. 428–435.
Other articles of the issue
