The Piano Duet as a Genre in the Works of Uzbek Composers
Authors
Khayitbaeva Dilbar Sultanovna
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Annotation
This article explores the piano duet genre in the context of Uzbek composers. It examines the historical and theoretical preconditions for the genre's development, as well as the specific features of its development within national musical culture in the second half of the 20th and beginning of the 21st centuries. Particular attention is paid to the interaction of European genre models with traditional Uzbek stylistics, manifested in modal-intonational, rhythmic organization, and principles of form-building. An analysis of works for two pianos by Uzbek composers reveals consistent artistic tendencies associated with the search for new expressive possibilities of ensemble writing and the expansion of the concert and pedagogical repertoire. The article concludes that the piano duet is a form of creative dialogue that contributes to the preservation of national identity and the active development of contemporary compositional practice.
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Authors
Khayitbaeva Dilbar Sultanovna
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References:
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