In the original languageTranslation into English
The Position of the Xinjiang Uyghur Dap in Uyghur Culture
Authors
Musitafa Maimaitiming
Rubric:Musical arts
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Annotation
This article discusses the position, role, and significance of the Xinjiang Uyghur Dap frame drum in the performance of Uyghur Muqam as one of its primary instruments. The multifaceted functions of the Dap across various spheres, including folk songs, Muqam performances, dance displays, and social rituals, interact and complement one another, shaping the rich and distinctive soundscape of Uyghur culture.
Keywords
music
culture
rhythm
instrument
vibrate
perfprmance
muqam
uyghur folk song.
Authors
Musitafa Maimaitiming
Rubric:Musical arts
143
0
Share
143
0
References:
- Wang Yidong. Zhongguo Dajiyue Jiaocheng (4): Xinjiang Shougujiezou yu Yanzou Jifa Xunlian. Beijing, 2012.
- Safar Yusayin, Muhammadtursun Ibrahim. Qashqar Folk Art. Urumchi, 2012.
- Abdushukur Muhammademin. On the Uyghur Classical Music “The Twelve Muqam”. Beijing, 1980, p. 49.
- Xinjiang Uyghur Autonomous Region Department of Culture. Xinjiang Feiwuzhi Wenhua Yichan Minglu Tudian (1). Urumqi, 2012, p. 288.
- Zhou Qingbao. “The Hand Drum on the Silk Road”." Yueqi. Musical Instruments Journal, 2021, No. 3.
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