MINIMALIST AESTHETICS IN “ATMOSPHERE” BY FARRUKH AKRAMOV
Authors
Khaydarova Farangiz Azamatovna
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Annotation
the piece Atmosphere for percussion ensemble demonstrates the realization of minimalist principles through timbral differentiation, micro-variation and metric shifts. The study is based on a score analysis that includes formal mapping and a component-by-component examination of intonation, metrorhythm and articulation. The analysis is carried out within the minimalist conception of “less is more” and the understanding of minimalism as an aesthetic category, with an emphasis on perceptual parameters and the organisation of time in sound.
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Authors
Khaydarova Farangiz Azamatovna
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References:
Bernard, J. W. (1993). The minimalist aesthetic in the plastic arts and in music. Perspectives of New Music, 31(1)
Korobova, A. G. (2021). Minimalism in the context of musical postmodernism: Technique vs. aesthetics?. Muzyka. Iskusstvo, Nauka, Praktika, 3(35).
Krom, A. E. (2017). American musical minimalism: Problems of reception and interpretation. Vestnik of the A. Ya. Vaganova Academy of Russian Ballet, 6(53)
Nyman, M. (1999). Experimental music: Cage and beyond (2nd ed.). Cambridge University Press. (Original work published 1974)
Reich, S. (2002). Writings on music, 1965–2000 (P. Hillier, Ed.). Oxford University Press.
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