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THE ROLE OF TRADITIONAL ANIMATION IN THE CONTEMPORARY MEDIA LANDSCAPE: ARTISTIC VALUE, CULTURAL RELEVANCE, AND TECHNOLOGICAL ADAPTATION

Authors

Raimova Mokhina Nuriddin qizi

Rubric:Study of art and cultural studies
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This article examines how traditional animation continues to exist and develop in the modern media world. The main goal of the study is to understand the current role of traditional techniques and to analyze their artistic and aesthetic value in today’s visual culture. The paper gives a short historical overview of puppet, clay, hand-drawn, cutout animation and explains how these methods have been preserved, so renewed through time. Using comparative and analytical methods, the study explores how traditional animation interacts with digital technology, creating hybrid forms that combine manual creativity with modern innovation. The research also considers both European and Uzbek experiences, showing how different cultural backgrounds influence artistic style and storytelling. The findings suggest that traditional animation remains an important artistic form that connects human emotion, craft, and authenticity with the possibilities of new technology, making it relevant and meaningful even in the digital era.

Keywords

traditional animation
artistic value
aesthetics of stop motion
hybrid animation
cultural heritage
visual art.

Authors

Raimova Mokhina Nuriddin qizi

Rubric:Study of art and cultural studies
78
0

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References:

  1. French, Lawrence. “Henry Selick: The Director of The Nightmare Before Christmas on Re-Animating Stop-Motion”. Cinefantastique, vol.31, February 1999, pp. 56-60.
  2. Mirzamukhamedova, M. (2014). Uzbek Animation. Tashkent: “Mumtoz So‘z” Publishing. – 96 p.
  3. Sproxton, David. “At 40, Aardman Animations Stays Stubbornly Eccentric.” By Peter Debruge, Variety, 10 June 2016. https://variety.com/2016/film/spotlight/aardman-animation-peter-lorddavid-sproxton-company-history-40-year-1201790417/
  4. Maselli, V. The Evolution of Stop-motion Animation Technique Through 120 Years of Technological Innovations. International Journal of Literature and Arts. Vol. 6, No. 3, 2018, pp. 54-62. doi: 10.11648/j.ijla.20180603.12
  5. Khaydarova, N. (2019). Uzbekistan animation films [Catalogue of Uzbek Animated Films]
  6. Khaydarova, N. (2022). The main principles of animation art in Uzbekistan [PhD dissertation in Art Studies]. Tashkent, 155 p.
  7. Langan, H. (2023). The Appeal of Stop Motion in the Digital Age. Submitted to the Faculty of Film, Art and Creative Technologies in candidacy  for the BA (Hons) Degree in Animation.

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