The art of Uzbek Singing

This article explores the origins, development, and cultural significance of Uzbek vocal art as a fundamental component of national musical heritage. It emphasizes that the human voice is the first and most natural musical instrument, preceding the invention of instrumental music. Drawing upon the philosophical interpretations of Farabi, the study highlights the evolution of vocal art from early religious chants to structured musical forms. It also examines the physical and environmental factors influencing vocal characteristics and the regional diversity of Uzbek singing traditions. Special attention is given to major Uzbek vocal genres such as terma, yalla, lapar, and ashula, each of which embodies unique artistic, poetic, and emotional dimensions. The article concludes that vocal art not only reflects the cultural richness of the Uzbek people but also serves as a vital link connecting ancient traditions with contemporary musical creativity