EARLY MINIATURES BY THE UZBEK COMPOSER RUMIL VILDANOV
Authors
Osetrova Vlada Anatolevna
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Annotation
This article is devoted to the early works of Uzbek composer Rumil Vildanov. It briefly examines his early surviving works, analyzing their figurative world, musical style, musical form, tonal plan, and the musical language with which the composer creates a specific image.
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Authors
Osetrova Vlada Anatolevna
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References:
1. M. Iskhakova "Rumil Vildanov: Requiem for the Maestro" (https://mytashkent.uz).
2. Scherzo. Dictionary of the Russian language: In 4 volumes / RAS, Institute of Linguistic Studies; Ed. by A. P. Evgenyeva. — 4th ed., reprinted — Moscow: Russian language; Polygraphresources, 1999
3. Prelude. https://soundtimes.ru/kamernaya-muzyka/udivitelnye-muzykalnye-proizvedeniya/prelyudiya
4. Liszt F. John Field and his nocturnes // Liszt F. Selected Articles. Moscow: State Musical Publishing House, 1959. pp. 414–420.
5. Lysyuk S. Nocturnes by J. Field in the context of the ideas of culture and art of the first third of the 19th century // Problems of modernity: culture, mysticism, pedagogy: a collection of scientific works. Lugansk: Lugansk. holding in-culture and mysticism, 2010. Vip. 12. pp. 204–218.
6. https://www.belcanto.ru/passacaglia.html
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