Locality characteristics of the doyra usuls(rythms) of Shashmaqom, Khorezm maqoms, and Fergana-Tashkent maqoms
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Rasulov Marufjon Mamirjon oglu
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Annotation
Annotatsiya: The article provides brief conclusions on the mutual analysis of the systems of circle methods in the performance practice of Shashmaqom, Khorezm maqoms, and Fergana-Tashkent maqoms. Research in this area reveals that the roots of oriental classical music, including the Uzbek maqom, have one core, one system, and one philosophy as the basis for their origin and formation, as well as their specific local characteristics in performance practice.
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Authors
Rasulov Marufjon Mamirjon oglu
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References:
Marufjon, R. (2022). A Matter of Rhythm in Oriental Classical Music. Pioneer: Journal of Advanced Research and Scientific Progress, 1(6), 80-84.
Marufjon Mamirjon Ogli Rasulov, & S.M. Begmatov (2022). THE PLACE AND IMPORTANCE OF METHODS IN MAQOMS (ON THE EXAMPLE OF METHODS OF FERGANA TASHKENT MAQOM WAYS). Oriental Art and Culture, 3 (2), 810-821.
Marufjon, R., & Begmatov, S. M. (2023). Music by Uzbek Mumtaz
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Marufjon Mamirjon Oghly Rasulov (2023). ON SHASHMAKOM METHODS. Oriental Art and Culture, 4 (2), 729-735.
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Marufjon Mamirjon Oghly Rasulov (2023). ON FERGON-TASHKENT MAQOM PATHS. Oriental Art and Culture, 4 (3), 22-30. https://ppublishing.org/media/uploads/journals/article/Arts-2_23_p20-29.pdf
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