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Interpretation of the dastan kuy-nomas titled “Eshvoy” in dutar performance: the case of “Eshvoy Urganjiy”

Authors

Latofat Muminova Nuriddinovna

Rubric:Musical arts
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Annotation

This article analyzes the historical formation, unique characteristics, and expressive capabilities of the Eshvoy Urganjiy kuy-noma — one of the pearls of Uzbek folk instrumental music. The study explores the lad-intonation and metrorythmic features of the kuy, its performance technique, aylanma dast strokes, and the uforiy zarb system on a scientific basis. The orally-transmitted variations of the kuy were transcribed into a notated system using modern technology, and their pedagogical, aesthetic, and scientific significance was revealed.

Keywords

method
Eshvoy Urganjiy
Khorezm dutar performance
oral tradition
notation
aylanma dast
ufor zarb
lad-intonation system
kuy-noma.

Authors

Latofat Muminova Nuriddinovna

References:

Matyokubov B. (2009) Doston navolari. Tashkent: Gafur Ghulom Publishing House, 2009.

Akbarov I.A. Yusupov M. (1960) “Uzbek folk music” Khorezm songs. Volume XVII. Uzbek SSR Publishing House of Literature. 1960.

The newspaper of literature and art of Uzbekistan, August 20, 2021 (N 34 (4641)).

Boltayev R. (2023) From a conversation during the author's research in Khorezm. August 2.

Mominova F. (2025) From a conversation during the author's research in Khorezm. March 27.

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