PIANO CONCERTO WITH ORCHESTRA BY A.SADYKOVA "GRANATE COLORS"
Authors
Mirshohidzoda Gulrukh
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Annotation
The article examines Aziza Sadykova's[1] "Granate Colors" Concert for Piano and Symphony Orchestra in terms of compositional innovations. The author of the article focuses on the uniqueness of the piano's musical material used throughout the work in collaboration with the orchestra.
Purpose of the research: to identify the principles of conducting concerts based on the interaction of the dominant soloist and orchestra.
Method: In the analysis process, the method of determining national identity and the context of modern innovative technologies of compositional writing is applied.
The result: based on the targeted study of music, new principles of concert performance, original approaches in the use of aleatoric, monodic, polychromatic, and chronochromatic elements are revealed.
Scientific novelty: new possibilities of composition are revealed in revealing the figurative world of pomegranate flowers in the piano concerto genre through innovations in color theory as the main musical expressive means.
[1] A. Sadykova is the granddaughter of the famous Uzbek composer T. Sadykov.
Keywords
Authors
Mirshohidzoda Gulrukh
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References:
Mukhamedova F. Piano Music of Uzbekistan, Formation, Genre Specificity, Interpretation. (Mukhamedova F. Piano Music of Uzbekistan, Formation, Genre Specificity, Interpretation) // Abstract of the dissertation of Doctor of Philosophy (PhD) in Art Studies 17.00.02-Musical Art. T., 2018, p.36.
Abrarova M. National and universal principles in the literary-critical work of composers of the XX-XXI centuries (Abrarova M. National and universal principles in the literary-critical work of composers of the XX-XXI centuries). //Abstract of the dissertation of Doctor of Philosophy (PhD) in Art Studies 17.00.02-Musical Art. T.,2018, p.36.
Messian O. "The Technique of My Musical Language" (Messian O. "The Technique of My Musical Language"). M. 1994.
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