20th centure Uzbek bastakor creativity and To’xtasin Jalilov
Authors
Turgunboyeva Madinakhon Erkinboy qizi
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This article explores the development of 20th-century Uzbek composer creativity through the lens of To‘xtasin Jalilov’s musical legacy. As a prominent figure in Uzbek music history, Jalilov stands out for his innovative synthesis of classical maqom traditions with modern compositional techniques. The study analyzes his major works, including musical dramas and popular songs, emphasizing their structural, modal, and rhythmic features. Special attention is given to compositions such as “Signal” (“Alert”) and “Yolg‘iz” (“Alone”), which illustrate Jalilov’s masterful use of traditional melodies within accessible and emotionally resonant forms.
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Authors
Turgunboyeva Madinakhon Erkinboy qizi
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References:
Gofurbekov, T. (2019). Compositional creativity: History, analysis, and destiny. Tashkent: Muharrir Publishing. – 187 p.
Yunusov, R. (1997). The creative legacy of Fakhriddin Sodiqov in the context of contemporary compositional processes. In Problems of musical creativity, Vol. 1. Tashkent: Qatortol–Kamalot Publishing. – 60 p.
Akbarov, I. (1978). To’xtasin Jalilov. Tashkent: Gʻafur Gʻulom Literature and Art Publishing House. - 55 p.
Turg’unboyeva, M. (2025). The development of Uzbek compositional creativity in the first half of the 20th century. Science and Technology in the Modern World, 4(12), 114 p.
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Mahmudov, A. (2018). Devotees of Andijan art (2nd ed., revised). Tashkent: Akademnashr.
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