On the interaction of musical cultures in the musical life ( a case study of the korean ethnic group)
Authors
Lyudmila Gennadyevna Kan
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Annotation
This article examines the work of contemporary Uzbek composers in the context of addressing the song and folklore heritage of the Korean diaspora in Uzbekistan. The study of the interaction of Uzbek-Korean cultures is analyzed from the point of view of historical factors of the development and assimilation of Korean culture in Uzbekistan, as well as by the method of musical analysis of the piano rhapsody "Arirang" on Korean themes by Akmal Safarov. The above study allows us to identify complex specific, typological and similar features of the synthesis of the two cultures as a formative source of rapprochement and strengthening the spiritual and friendly ties of the multinational people of Uzbekistan.
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Authors
Lyudmila Gennadyevna Kan
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References:
Kholopova, V. N. Forms of Musical Works. 2nd ed., revised. St. Petersburg: Lan Publishing, 2001. – 496 p.
Frishman, D. V. Ravel’s Spanish Rhapsody. Moscow, 1973. – 80 p.
Dzharilgasinova, R. Sh., & Kryukov, M. V. Calendar Customs and Rites of East Asia: The Annual Cycle. Moscow: Nauka – Main Editorial Office of Oriental Literature, 1989. – 360 p.
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