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TRADITIONAL AND NEW APPROACHES TO STAGE INTERPRETATIONS OF CLASSIC POEMS IN THE MODERN UZBEK THEATER

Authors

Anvar Ismoilov

Rubric:Theater
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Annotation

The article examines traditional and new approaches to the stage interpretation of the epics of Alisher Navoi, an outstanding representative of Uzbek classical literature, thinker and poet. In this regard, the plays staged based on the poet’s epics “The Wall of Iskander” and “Leyli and Medjnun” are analyzed

Keywords

tradition
Theatre
classical work
new approaches.
director
performance
interpretation

Authors

Anvar Ismoilov

References:

1. Rizayev, O. (2012, No. 1). Literature, theater and period. Theater, pp. 6-9. (In Uzb.).

2. Rizayev, Sh. (2007, No. 2). A look at the biography of Bakhodir Yuldashev. Thought, pp. 31-37. (In Uzb.).

3. Sangirov, B. (2017, No. 1). Stage interpretation of the epics of Alisher Navoi. Theater, pp. 24-28. (In Uzb.).

4. Tulyakhodzhaeva M. (1995). Directing the Uzbek Drama Theater. Tashkent, Uzbekistan: Publishing House of Literature and Art named after Gafur Gulam.  (In Russ.).

5. Kodirov, M. (2003, No. 1). Alisher Navoi: Sufism and Performing Arts. Theater, pp. 9-12. (In Uzb.).

6. Kodirova, D. (2009). Scenography of the Uzbek theatre of the 20th century. Tashkent, Uzbekistan: Publishing house of the magazine “Art”. (In Uzb.).

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