CURRENT PROBLEMS OF MAKOM PERFORMANCE

This article examines the problems that arose in the national vocal art of Uzbekistan in the 20th century, as well as ways to partially solve them during the period of independence. The author focuses on the influence of the European temperament on the national musical tradition, especially in makom performance, and emphasizes the need to return to the original musical notation. It also highlights the importance of supporting young performers, preserving the “teacher and student” tradition, and strengthening the methodological base of training. The text contains proposals for the development of concert practice, conducting master classes and scientific and methodological work. The article highlights the role of state youth policy in supporting gifted youth and developing culture.