In the original languageTranslation into English
THE GENRE OF PIANO MINIATURE IN GRIEG'S WORKS (BASED ON THE EXAMPLE OF "LYRICAL PIECES" OP. 38)
Authors
Yakubova M.S.
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Annotation
This article is devoted to the genre of piano miniature in the works of the prominent representative of Norwegian musical culture, Edvard Grieg, using his "Lyric Pieces" Op. 38 as an example. Special attention is given to the study of the dramaturgy of the pieces in the cycle, from the point of view of their genre diversity. A detailed analysis of the miniatures is undertaken to reveal their conceptual and imagery structure, form, as well as the means of musical language. The specificity of the composer's authorial style is explored through the pieces of this cycle.
Keywords
genre
style
composer
piano
miniature
composition
dramaturgy.
Authors
Yakubova M.S.
1475
6
Share
1475
6
References:
- Asafyev, B. (2006). Edward Grieg (p. 88). Moscow: Muzyka.
- Boshuk, I. V. (2018). Stylistic features of Edward Grieg’s piano music. Bulletin of the Krasnodar State Institute of Culture, 3(16). Retrieved from http://vestnikkguki.esrae.ru/18-365
- Demenko, N. V. (2018). On the influence of Western European music on the works of E. Grieg. Problems of Music Performance and Education, 200–204. Moscow: Art in School.
- Levashova, O. (1974). Edward Grieg (p. 624). Moscow: Muzyka.
- Meleshkina, E. A. (2012). The relevance of piano miniatures by Western European composers of the 19th century. Culture. Spirituality. Society, 2, 32–37.
- Nazarenko, K. V. (2017). On some features of Edward Grieg's style. Scientific Palette, 4(18), 1–7.
- Zenkin, K. (2019). Piano miniature and the paths of musical romanticism (p. 410). Moscow: Yurayt.
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