THE GENRE OF EPITAPH AND THE WAYS OF ITS REALIZATION IN MODERN COMPOSER'S WORK
Authors
Turajanov Muradjon Dilmurod ugly
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Annotation
Objective: to determine the impact of national expressive means, performing techniques and strokes inherent in the Uzbek composition school Epitaph by R. Abdullayev.
Methods: generalization, theoretical and performing analysis, historical method.
Results: basing on the analysis of Epitaph by R. Abdullayev the intensive creative searches in the field of synthesis of classical composition writing and R. Abdullayev's national thinking are noticeable. Music by is Rustam Abdullayev multifaceted, diverse in content, forms and genres - it attracts with the brightness of images, freshness of musical language. It organically combines modern trends and searches in the field of musical expressive means and form-building with Uzbek folk and national traditions based on the principle of improvisation as the basis of folk music-making.
Scientific novelty: based on the composing experience of the author, the article studies the impact of genre of performance and composers’ creativity.
Practical significance: the main provisions and conclusions of the article can be used in scientific and teaching activities in addressing issues of the Epitaph genre and their important place in world musical literature in general and in the work of modern composers of Uzbekistan in particular
Keywords
Authors
Turajanov Muradjon Dilmurod ugly
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References:
1. Scher P.S. Einleitung: Literatur und MusikEntwicklung und Stand der Forschung // Literatur und Musik: Ein Handbuch zur Theorie und Praxis eines komparatistischen Grenzgebietes – Berlin, 1984
2. Tsarkova T. Russian poetic epitaph of the XIX-XX centuries: Sources, evolution, poetics. The abstract. dissertation. – St. Petersburg, 1998
3. Lozhkova A. Literary epitaph: the problem of genre specificity // Collection of articles of the Ural Philological Bulletin. № 4, 2018
4. Braginskaya N. V. Epitaph as written folklore // Text: Semantics and structure, Moscow, 1983.
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