PIANO TOCCATA IN THE WORKS OF UZBEK COMPOSERS
Authors
Turajanov Muradjon Dilmurod ugly
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Annotation
Objective: to determine the impact of national expressive means, performing techniques and strokes inherent in the Uzbek composition school.
Methods: generalization, theoretical and performing analysis, historical method.
Results: basing on the analysis of genre of toccata in creation of Uzbek composers the intensive creative searches in the field of synthesis of classical composition writing and national thinking are noticeable. Music by Uzbek composers multifaceted, diverse in content, forms and genres - it attracts with the brightness of images, freshness of musical language. It organically combines modern trends and searches in the field of musical expressive means and form-building with Uzbek folk and national traditions based on the principle of improvisation as the basis of folk music-making.
Scientific novelty: based on the composing experience of the author, the article studies the impact of genre of performance and composer`s creativity.
Practical significance: the main provisions and conclusions of the article can be used in scientific and teaching activities in addressing issues of the toccata genre and their important place in world musical literature in general and in the work of modern composers of Uzbekistan in particular.
Keywords
Authors
Turajanov Muradjon Dilmurod ugly
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References:
1. Islyamova D.R. About some aspects of the stylistic renewal of modern Uzbek piano music. – MIEATIS 2023/3. DOI: https://doi.org/10.26176/МАЕТАМ.2023.12.3.002 . PP.27-33
2. Fayziyeva M.M. The study of small concert forms in a special piano class (using the example of the pieces "Toccata and "Peshrav" by F.Yanov-Yanovskiy) – "Oriental Art and Culture" Scientific Methodological Journal / http://oac.dsmi-qf.uzVolume 4 Issue 3/June 2023782ISSN 2181-063X / Impact Factor 4.047 (SJIF 2021)
3. Gumarov M. Voprosi interpretatsii sovremennix kompozitorov Uzbekistana. – T., Musiqa, 2008.
4. Sharipova A. Kordinati fortepiannogo ispolnitelskogo stilya v Uzbekistane. – T., 1999.
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