SOME ASPECTS OF MUSICAL SUBJECTIVITY IN THE SYMPHONIC POEMS OF ALEXEY KOZLOVSKY

The concept of musical thematism is, in a word, the basis of musical creativity. It can be accepted as one of the most important categories of musical existence. The totality or totality of all themes appearing in a musical work forms a musical theme. Its role in a musical work and its functions are very broad and complex. A number of musicologists have conducted research on this concept. Among them are V. Bobrovsky, L. Mazel and V. Zuckerman, Yu. Tyulin, E. Ruchevskaya, V. Valkova, E. Chigareva, V. N. Kholopova, M. Aranovsky and others. It is with the help of their scientific research that we are looking for solutions to some problems in our scientific work.