In the original languageTranslation into English
THE ROLE OF FEMALE PERFORMERS IN THE INSTRUMENTAL PERFORMANCE OF DUTAR: ON THE EXAMPLE OF MALIKAHON ZIYAYEVA.
Authors
Makhmudova Farangiz Nuriddin kizi
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Annotation
Performing schools and styles of master performers, who, with their selfless work and fruitful creativity, have made a huge contribution to the formation, development and preservation of our national musical heritage, are used as an instructive guide for educating young performers in the field of modern musical art. One of these masters is Malikakhon Ziyayeva, and today she has a unique style of playing the dutar instrument and a method of teaching. This article provides information about the activities of this artist.
Keywords
dutar
makom
teacher and student
performer
musical instrument performance
Authors
Makhmudova Farangiz Nuriddin kizi
411
0
Share
411
0
References:
- Merchant, T. (2021). Imagined homogeneity: Maqom in Soviet and Uzbek national projects. In Routledge Handbook of Asian Music: Cultural Intersections (pp. 221-240). Routledge.
- Batirovich, Matyakubov Shavkat. "TRADITIONS OF TEACHER AND STUDENT IN THE ART OF UZBEK CLASSICAL MUSIC." The European Journal of Arts: 37.
- Arabov, I. (2018). An’anaviy cholg’u ijrochiligi (Dutor). Toshkent-2018.
- Turaboyeva Bashorat Rakhmonjonovna „ADAPTATION OF THE MUSHKILOT PART IN SHASHMAKOM TO THE SOLO PERFORMANCE OF DUTAR” «European Journal of Arts» #4 2024
- Djumaev, A. (2016). Women Musicians of Uzbekistan: From Courtyard to Conservatory. Anthropology of the Middle East, 11(2), 119-123.
- Ziyayeva M. (2011) An’anaviy dutor ijrochiligi. T., “Musiqa”, Toshkent.
- Ziyaeva, Malika. "Personal interview with the author." (2005).
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